In the Shadow of ‘Solid Doubts’: Robert Stadler Plays at the Noguchi Museum
Installation view of “Solid Doubts: Robert Stadler at The Noguchi Museum,” 2017, at the Noguchi Museum, Long Island City, New York. NICHOLAS KNIGHT/©THE ISAMU NOGUCHI FOUNDATION AND GARDEN MUSEUM, NY AND ARTISTS RIGHTS SOCIETY (ARS) H ow might the work of a contemporary artist trained in industrial design match up with a seminal mid-century sculptor trained under Brancusi? Reactions to that question—and many more—are on display in “Solid Doubts: Robert Stadler at the Noguchi Museum” in Queens, New York. “Both of them are interested in creating doubt rather than easy solutions,” Dakin Hart, the Noguchi Museum’s senior curator, said of Stadler and the devotional museum’s namesake, Isamu Noguchi. “They really think the objects that surround them should be subject to questioning and ought to be part of the flow of change rather than resisting change.” The process of pairing work by the late Noguchi and the Austria-born, Paris-based Stadler “was something of a blind date,” Har